At W&S, our tastings regularly turn up new talent, and we’re always happy to stumble across a winery whose wines seem just as accomplished as the stalwarts we know and love. Here are a dozen up-and-coming producers that sparked our attention with their recent releases—wineries we’ll be watching in the years to come.
California | Skinner
Mike and Carey Skinner were vacationing in the Sierra Foothills when they came across a reference to James Skinner’s winery. It turns out he was an ancestor, and the two southern Californians decided they’d try to reclaim their family’s forgotten winemaking legacy. They bought land in Fairplay, in El Dorado County, and brought in winemaker Chris Pittenger to oversee the project; he jumped at the opportunity to elevate a region with a long winemaking history and some fascinating vineyard sites, but little recognition for fine wine. He now works with fruit from the Skinner’s home estate as well as other vineyards on El Dorado’s sunny volcanic slopes. Keep an eye out for the 2013 El Dorado Mourvedre—it translates a warm Foothills summer into a sleek, stony and refreshing wine—and the 2013 Grenache, a floral red with a gripping, meaty red cherry flavor. —Luke Sykora
California | Easkoot
Chileno Valley Vineyard
Stephan and Emily Schindler jettisoned their LA television-production company soon after they launched Winemonger, their Austrian-focused wine import business, in 2003. They later moved north to Marin County, and made the first wine under their own Easkoot label in 2009, starting with a pinot noir from the cool, windy Chileno Valley Vineyard just 20 minutes away from their home in San Anselmo. The 2014 is their best vintage yet: The Chileno Valley Pinot Noir is trim and pretty as usual, but with just a bit more concentration—delicious, perfumed and graceful. The 2014 Suacci Vineyard Pinot Noir, from just over the Sonoma border, is similarly bright, with a refreshing, sumac-scented coastal vibrancy. A new addition: an addictively frisky rosé from some of the Chileno Valley fruit. —L.S.
Oregon | Winderlea
Bill Sweat
Former Bostonians Bill Sweat and Donna Morris bought the Goldschmidt Vineyard in 2006 and renamed it Winderlea. It’s a 20-acre mid-slope parcel in the Dundee Hills planted mostly to old-clone pinot noir, some dating back to 1974. They’ve tapped Leigh Bartholomew, who managed Archery Summit’s vineyards for 12 years, to farm their vines, and brought on consultant Philippe Armenier to help transition the estate to biodynamics. They also purchase fruit from other prized Dundee Hills sources, such as Maresh, Murto and Weber vineyards, as well as Shea, Hyland and Crawford Beck from farther afield in the Willamette Valley. In all, it’s a robust portfolio of pinot blanc, chardonnay and about a half-dozen vineyard-designated pinot noirs. Robert Brittan, former winemaker for Stags’ Leap Winery in Napa Valley, directs the winemaking; the 2013s we tasted this year stood out for their transparency and finesse, red-fruited purity of flavor. —Patrick J. Comiskey
Australia | Thistledown/One Chain
Trott Blewitt Springs old vine Grenache
Giles Cook and Fergal Tynan met 16 years ago at a bar while studying for their Master of Wine exams. Then they met again as MWs, when Cook, of Alliance Wines, and Peter Leske of Revenir, were working on a project to make house wines for high-end restaurants. Tynan joined Alliance, and the three started making One Chain (now about 8,000 cases), then added Thistledown as their top selections (about 2,000 cases). “The three of us have differing opinions about most things in life,” Tynan says. “The only thing we agree on is wine—the old wines of Maurice O’Shea, or Wendouree, those are the bottles we used to gather and drink.” They set out to make wines that emulate those classics, searching out old vines, ungrafted and unirrigated, focused on Barossa and Eden Valley south to McLaren Vale and Langhorne Creek. In addition to a delicious $17 Shiraz from One Chain, the wine that caught our attention was the 2013 Thorny Devil Grenache. Fermented as mostly whole berries without added yeast, then aged in old oak barrels, it’s the kind of fresh, powerfully structured red that defines what’s great about Barossa. —Josh Greene
Greece | Domaine Karanika
In the 1980s, while at university, Laurens Hartman ran a small business with his fraternity brothers, selling wine they’d bought on trips to Burgundy and Champagne. Hartman went into publishing but continued to make pilgrimages to France for wine, until he decided he needed to make his own. He and his wife, Annette, looked to Greece, where his mother was born, and settled on Amyndeon, a plateau at 2,200 feet in the far northwest of the country. “I found everything we looked for: altitude, history, a sensational grape variety, snow, rains, enormous differential between day and night temperatures,” he says. Searching out old, ungrafted xinomavro vines and farming them biodynamically, he began bottling light-bodied reds with spiced cherry scents, their bright acidity differentiating them from the richer examples grown in Naoussa. In 2009, he started to experiment with Champagne-method sparkling wine: His Brut Cuvée Spéciale is lean and elegant, the fine bubbles accentuating its crisp, palate-whetting clarity. —Tara Q. Thomas
Italy | Girolamo Russo
Giuseppe Russo left a career as a pianist and music teacher in 2005 to take over his family’s Passopisciaro estate after his father’s death. Russo began bottling under the family name in 2006, and farms his 37 acres organically, including alberello-trained vines in the Feudo di Mezzo plot that are up to 100 years old. He culls fruit from several vineyards for ’a Rina, a fresh and vibrant Etna Rosso, and he ages his single-cru wines from the Feudo di Mezzo, Feudo and San Lorenzo vineyards in used barriques and tonneaux to showcase nerello mascalese’s delicate red berry flavors. Russo has increased his production ten-fold since 2006, to 60,000 bottles a year, and recently planted five acres of carricante that will go into Nerina, a white wine named for his mother. —Stephanie Johnson
South Africa | Duncan Savage
Duncan Savage (left)
Duncan Savage was the winemaker at Cape Point when he started his own label in 2011, focusing on small parcels of vines with strong coastal influence or from high-altitude sites. His Savage Red from 2013 caught our attention earlier this year. It’s a blend of syrah (67 percent) with grenache, cinsaut and touriga nacional, a formidable wine that captures the distinctive savor of Cape grapes and transforms what is often presented as rusticity (or, sometimes, ashen bitterness) into elegant notes of saddle leather. The wine feels cool and fresh, bold, then tight, a refreshing take on the Cape. This spring, Savage left his day job with the goal to build his production; watch for more iterations of Cape fruit to come. —J.G.
Portugal | Monte Xisto
View from the vines at Monte Xisto
João Nicolau de Almeida began his career planting Ervamoira, a vineyard in the Douro Superior near Foz Coa, for Ramos Pinto. He recently retired as CEO to dedicate time to a project with his sons, Mateus and João. They began assembling their 100 acres on a ridge above the Douro in 1993, taking 15 years to complete 20 land deals; they started planting the vines, cascading down from either side of the ridge, in 2003. The vines grow in the midst of a riot of spring flowers, encouraged by the Nicolau de Almeidas, who farm the site with biodynamic practices. Mateus is building an underground schist-walled cave for the wine production; for the first vintages, he fermented the wine in granite lagars without any additions, then aged it in 600-liter barrels. The 2013 is floral and purple-fruited, the structure firm, the tannins adding an almost delicate schisty edge to the velvet nap of the texture. It captures a remarkable vineyard with vibrant energy. MundoVino/The Winebow Group, NY —J.G.
This story was featured in W&S Winter 2016.
Patrick J. Comiskey covers US wines for Wine & Spirits magazine, focusing on the Pacific Northwest, California’s Central Coast and New York’s Finger Lakes.
This story appears in the print issue of Winter 2016. Like what you read? Subscribe today.
Stephanie joined Wine & Spirits Magazine as Tasting Director in 2013 and became Italian Wine Editor in 2016. She spends a significant amount of time each year visiting Italy’s wine regions, tasting with producers and researching articles about their practices. Stephanie holds the WSET Diploma in Wine & Spirits and has worked in the wine retail and restaurant sectors, including five years as Wine Director at City Winery in NYC’s SoHo district. She previously worked in textbook publishing as an editor and marketing manager in Minneapolis, Chicago, Austin and Tokyo.
Thomas Whalen.
Sales Manager
Tom worked in fine wine sales at Zachy’s in Westchester and Crush in NYC before joining the W&S team handling advertising sales. A graduate of Skidmore College, Tom got his start in the industry through hospitality, including a stint as the GM and partner in Post Office Bar. He has also done consulting work for private clients on their wine cellars.
Tom brings a depth of knowledge to his role and, when he’s not networking with marketers, he’s busy raising his one-year-old son, listening to classic rock, or dipping back into Jon Bonné’s California Wine.
Alissa Bica
Tastings Coordinator
Based in Los Angeles, California, Alissa Bica is the Spirits Editor and Critic at Wine & Spirits. She is also a Certified Sommelier and co-runs the home wine tasting company, Côte Brune and Blonde. In any rare moments of free time, she writes about obscure grape varieties in the blog Off the Beaten Wine Path.
David Paradela
Associate Editor
David joined Wine & Spirits in 2021 after immersing himself in the world of wine at the start of the COVID-19 pandemic. Originally from Boston, he graduated from Boston University with a degree in English and completed a master’s degree in Publishing and Writing from Emerson College in 2021. Prior to working at the magazine, he served as an editor and staff writer for the music blog Sound of Boston and worked in scientific publishing. Aside from wine, he loves basketball, arguing about Taylor Swift’s best album, and everything Greta Gerwig touches.
Corey Warren
Tastings Editor
Corey Warren moved to New York in 2015—fifteen years too late to join The Strokes—after earning a degree at Cornell in Comparative Literature. He started polishing glasses at Betony and threw himself into the restaurant world. Later, while a captain at Aquavit, he began working part time in the Wine & Spirits tasting department. Now, in addition to running tastings, he serves as critic for the wines of the Loire, Southern France, Argentina and South Africa. Corey likes almost anything bubbly, from Miller High Life, the Champagne of beers, to Champagne, the Champagne of Champagne, but he’ll drink anything once, and loves finding unique wines.
Tara Q. Thomas
Editor at Large
Since Tara Q. Thomas joined Wine & Spirits in 1997, she’s traveled the wine world from Argentina to Australia. A graduate of the Culinary Institute of America in Hyde Park, New York, with more than 20 years of experience in the food and wine world, Tara puts her culinary knowledge to use as W&S’s resident food critic, and is the critic for the wines of Austria, Germany, Eastern Europe, Argentina, and the Mediterranean. She’s particularly enthusiastic about the wines of Greece, where she once lived and cooked. Outside of W&S, Tara has authored two books, The Complete Idiot’s Guide to Wine Basics and The Pocket Idiot’s Guide to Wine; contributed to the Oxford Companion to Cheese as well as Oxford’s forthcoming volume on spirits; and writes a wine column for Culture: The Word on Cheese.
Patrick J. Comiskey
Senior Correspondent
A former sommelier, Patrick J. Comiskey serves as the W&S critic for all domestic wines outside of California—including New York, Oregon and Washington—and contributes articles on the wines and viticulture of these areas. His wine travels include regular visits to US wine regions, as well as trips to France, Italy, Germany and Australia. Comiskey’s writing credentials include contributions to the San Francisco Chronicle’s wine section, the Los Angeles Times, Bon Appétit and the Robb Report, and also teaches classes and moderates panels on viticulture, wine tasting and various wine regions. His recent book, American Rhône: How Maverick Winemakers Changed the Way Americans Drink (UC Press 2017), was shortlisted for the 2016 André Simon Food & Drink Book Award and 2017 Louis Roederer Domaine Faiveley Wine Book of the Year.
Annette Farrell
Production Manager
Annette's entire career has revolved around magazine and print production, developing systems, and providing production support for dozens of magazines at a number of large publishing companies, including McGraw Hill, Condé Nast, and Hearst. Annette has joined the Wine & Spirits team to manage our production systems and develop and optimize our print production process.
Susannah Smith
Editorial Coordinator
As a retail buyer, Susannah traveled abroad extensively, especially in Italy and Greece, to learn the stories behind her favorite wines and then connect others with the vines and the humans that make them. She is excited to join W&S, since that is the magazine’s mission. Raised to be curious, she finds, after over 20 years in the world of food and wine, that she loves best how wine touches so many disciplines—history, language, geology, cuisine, biology, horticulture—keeping the quest for knowledge fresh every day.
Joshua Greene
Publisher & Editor
Editor and Publisher of Wine & Spirits since 1986, Joshua Greene began drinking wine with meals during a summer in Galicia, Spain, at the age of 13. In later years, he worked in wine shops in western Massachusetts and served as wine captain at Wheatleigh, a small inn in Lenox. After graduating from Princeton University in 1981, Greene pursued a career in magazines, focusing on the management of special-interest publications. His work with Wine & Spirits began on a consulting basis, eventually leading to his purchase of the magazine in 1989.
Greene has traveled extensively in the wine regions of Bordeaux, Burgundy, Champagne, Portugal, Italy, Spain, Australia, New Zealand, Chile, and all the major wine regions of the United States. In addition to his duties as editor and publisher, Greene serves as the critic for Napa Valley, Bordeaux, Burgundy, Champagne, Portugal, Rioja, Australia, New Zealand and South Africa. He also writes feature stories and commentary for each issue of the magazine.
Nick Mrozowski
Art Director
As the former creative director of WWD magazine and Adweek magazine in New York Nick has extensive experience in the areas of advertising, marketing and branding.
Roy Schneider Jr.
Director of Finance
Roy joined Wine & Spirits in 2003 to oversee the daily and long-term finances of the magazine. He handles cash flow works alongside the publisher to develop and fine tune strategic plans; Roy also manages basic business operations of the company—from IT to human resources. If there’s a problem, he’ll solve it.
Having begun his career on Wall Street, Roy holds an MBA from NYU Stern School of Business and has worked for a number of corporate and boutique firms from New York to Japan. While he clearly enjoys wines—having, over the years, sampled many thousands—he remains true to his Caribbean roots and maintains a primary love for rum.
Chloe Jenkins
Account Manager
Having spent nearly a decade in the marketing world, Chloe followed her enthusiasm for wine to work at a wine marketing company, before joining the team at Wine & Spirits. She loves using creative strategy to help brands tell their stories and connect with their audiences. Chloe holds a Level 3 (Advanced) Certification from the WSET, as well as specializations in French and Italian wine.
Patricio Tapia
Senior Correspondent
After graduating with a degree in journalism from the Universidad de Chile in Santiago, Patricio Tapia attended Bordeaux University in France, where he studied for a diploma in wine tasting and winemaking. Since then, he has visited wine regions around the world and authored several books, including his annual Descorchados, a Chilean wine guide; The Wines of Colchagua Valley;TodoVino and Wines for Great Occasions. Tapia is also the South American correspondent for The Oxford Companion to Wine,The World Atlas of Wine and Oz Clarke’s Pocket Wine Book. For the past three years, he’s been a host on the El Gourmet channel in South America. At Wine & Spirits, Tapia is the critic for the wines of Argentina, Chile and Spain, and regularly contributes articles on these regions.
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