Not only does this bag look sleek and sophisticated, but it keeps bottles safe with its padded neoprene material, and collapses into a compact bundle.
Aiming to strengthen vulnerable communities, the online retailer Apolis recently teamed up with Sonoma’s sustainably focused Scribe Winery to bring to market this durable jute fiber tote. Made by women in Bangladesh, it features space enough for wine bottles, a market haul and more.
Thanks to Greg Lambrecht, a medical device engineer, you can have a glass of wine without opening the bottle. Coravin, which has been vetted by somms at fine dining spots like NYC’s Del Posto and NoMad, uses a thin needle to first push argon—an odorless, colorless gas— through the cork and then allows you to pour out a glass. After the needle is removed, the cork reseals itself, keeping the remaining wine safe from oxygen.
Haunted by the indignity of communal bucket splashback? Get your own personal spittoon from Austrian glassware manufacturer Zalto. Available in gray, red and green, the five-inch high glass fits easily in the hand; a larger, 2.5-liter version is available for the table.
$58 and $95 respectively, winemonger.com
It may be pricey, but wine coasters aren’t typically as sleekly designed as this sterling silver-and-rosewood beauty from Josef Hoffmann, an Austrian architect and designer working in the early 20th century.
Just in time to for the opening of their new store in Manhattan’s Chelsea Market, Liddabit Sweets has debuted a fig that’s been soaked in Pedro Romero Amontillado Sherry and stuffed with ganache. To further gild the lily, the sugar mavens flavor its filling with bright orange and grassy olive oil, and dip the whole thing in dark chocolate.
No more digging through junk drawers for tiny accessories—the Verseur Full Bottle Service corkscrew comes with a stylishly concealed pour spout, foil cutter and black rubber stopper. It’s available via Quirky, a crowdsourcing platform that steers user-generated designs from concept to execution. Available in black and red; $25 at quirky.com. —C.G.
Pay homage to our prehistoric forerunners with the Wine-O-Saur, handmade from Baltic birch plywood. It fits standard 750ml bottles and comes in three shades: dark walnut, beeswax polish and unfinished. Eno-paleontologists, take note. $45 at etsy.com/shop/thebackpackshoppe. —C.G.
If you’ve ever looked at a wine barrel and thought, “That’s cool, but can I wear it?” you’re in luck. California-based Woodzee introduces its oak barrel sunglasses this December, made from recycled barrels provided by Robert Mondavi’s Private Selection. $120 at woodzee.com. —E.T.
R. H. Drexel doesn’t exist—that’s a pseudonym for the wine industry insider who writes and publishes Loam Baby, a zine that digs into California wine culture. The first issue, harking back to ‘90s zines with its grainy cover, bare-bones design, decidedly unprofessional photos and occasional comic strip, seemed like it might be a flash in the pan. But “Mr. Drexel” now has three issues under his belt. Loam Baby publishes surprisingly candid interviews with both up-and-comers and winemaking veterans. The most recent issue focused on Napa Valley, and included a punchy conversation with Jayson Woodbridge of Layer Cake and Hundred Acres, alongside some suggested playlists that winemaker Steve Matthiasson created for various Napa Valley sub-appellations. Oakville, for example, gets Built to Spill, Stereolab and Sonic Youth. PDFs of each issue are available for free online. The hardcopy versions would make great gifts for a wine nerd who thinks she has everything; they run $11 to 15 at loambaby.com —L.S.
Geijer Glögg, San Francisco, CA; 20% abv, $32
This story was featured in W&S Winter 2013.
Caitlin Griffith knew her future career would entail food and drink when, at the age of six, she munched an anchovy from her father’s Caesar salad thinking it as a small strip of bacon—and was more than pleasantly surprised. While enrolled in New York University’s Food Studies program, she learned the secrets of affinage in the caves of Murray’s Cheese.
This story appears in the print issue of Winter 2013.
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